Within the audiovisual multiverse, I can adapt to any format:
feature films, documentaries, short films, commercials,
music videos, and corporate content for businesses.
As a DP / Camera Operator
Many years behind the camera have given me the experience to find the most suitable visual language for each story. As a cinematographer, I focus on creating atmospheres and framing that not only support the narrative, but also reinterpret reality through an aesthetic lens.
I’m drawn to the challenge of enhancing each project with the available resources, designing lighting and framing to compose the visual language of each story.
I currently work with my Sony FX3, although I’ve operated all kinds of cameras along the way, including film.
As an Editor / 
Color Grading
In the editing room, I find the rhythm, tone, and breathing of each narrative structure. I like to think of editing as a way to rewrite what has been shot: to organize time, refine every cut, and build meaning.
To me, color is essentially an emotional language. Chromatic decisions, gamma levels, saturation, and their nuances are not just technical tools — they are narrative. The right color palette builds a framework of meaning to evoke emotion. Color grading is the fusion of technical skill and artistic sensibility to create expressive pieces.
🎬 As a Director / Producer
I support projects from development through to completion. I get involved in the creative process, team building, staging, and overall direction. I work with a clear vision to tell stories that connect with the viewer, always seeking to ensure that each piece has its own narrative identity and distinct point of view.